Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Wednesday, January 13, 2010

Camp Chase

Today finds me thinking about my gr-gr-gr-gr-grandfather, Joseph Lantz, and the horrors he must have witnessed and was subjected to while in the Confederate Service. He was a Captain in the North Fork Militia,and was in active during the Battle of Riverton.





The Battle of Riverton site.

Captured near the end of the War Between the States (or as some of us were brought up hearing, "The War of Northern Aggression") my grandfather was held prisoner in Camp Chase Prison in Ohio. What pure hell this must have been for him and his companions. Camp Chase Prison was opened in May 1861 and remained open throughout the War. It was located about 4 miles from Columbus, Ohio. The prison held a large population of men from the mountains of West Virginia. For these men, their world must have been turned upside down. Not only were they prisoners, but they were prisoners in a foreign land. To these men of the rugged mountains, I’m sure Camp Chase was like a foreign country. Even today, when I am out of my mountains, I feel a great unease and get the feeling that if only I could get back into the mountains, then all would be right with the world. How these men must have gazed and wished for the mountains that they knew lay far to the East.



My gr-gr-gr-gr-grandfather, Joseph Lantz.

Growing up, I heard stories from the older folks about the living conditions at Camp Chase Prison. Of course, they had heard these stories from their elders, and theirs before them. A few former prisoners from Pendleton County described Camp Chase prison as a big mud hole. They said the water was dirty and the food was wormy. They told of how the men would sit around and tell stories of home and what they were going to go when the War was over. I recall hearing a story about how one man in Camp Chase prison had made a pet out of a big rat, and one time the rations were so scarce that a bunch of his cohorts killed the rat and made soup out of it.

One of the best Camp Chase prison recollections, to me, was recorded by the Hammons Family titled, “Camp Chase”. At the beginning of the track, Burl Hammons talks about stories that he grew up hearing about Camp Chase. He talked of how the men were mistreated at the Yankee prison and how the prisoners simply wanted to go home, so much so that it consumed them. The story continues with how the Yankee captain liked fiddle music and told his Confederate captives whichever man played him the best fiddle tune, he would set that man free. If this is a true story, can you imagine how much heart and soul went into this fiddle contest, these men would have been playing for their very lives. As the contest progressed, one man played a tune that absolutely floored the Yankee captain, because it was just that good. For all the people who like fiddle music, they know how the fiddle puts lyrics right into the tune and that the tune tells the story. Well, after the contest, the Yankee captain lived up to his word and gave the man his freedom, but before the man left the captain asked, “What was the name of that fiddle tune?” to which the man replied, “It’s a tune that I came up with, and the name of it is “Camp Chase!” I don’t know of the Hammons story is true, but I do know that I can’t listen to the tune, “Camp Chase” without hearing the suffering of the prisoners, and hearing the hopes of freedom and home that these men held so dear. I can sympathize with these men who longed for the mountains for Camp Chase would have been both a physical and mental Hell for them.

I’m sure my grandfather tried for the rest of his life to forget Camp Chase, but at least he got to return home to his beloved Germany Valley after the War. So many prisoners died at Camp Chase and are buried there.



Camp Chase Cemetery. Courtesy of Wikipedia.

Here's a Youtube video of Betty Vornbrock doing a great version of "Camp Chase".

Tuesday, March 31, 2009

In Search of Rose Conelly

The ballad Rose Conolly follows the “murdered sweetheart” pattern of ballads. Folk songs of this type are commonly found in England, Ireland and the Appalachian region of America. Some similar songs are “Little Omie Wise”, “The Wexford Girl”, “The Cruel Ship’s Carpenter” and “The Old Oak Tree”.

Most folks credit Ireland as the place of origin for Rose Conolly, and the Bunting Collection says it was collected in Coleraine in 1811. But in fact, the lyrics and tune are entirely different between the Bunting version and all later versions. In 1979, folklorist D.K. Wilgus searched for Rose Conolly in the archives of the folklore department of University College in Dublin, widely credited as being the repository for the most complete collection of Irish folklore. In my opinion, Wilgus research is the best available for tracking down the origins of Rose Conolly. He could find no exact match, but he did however, locate the following folksong that was collected in Galway in 1929, it is obviously akin to the Appalachian version of Rose Conolly.

Rosey O’Connell

It was on a Saturday morning
My true love and I did meet
Yonder a soddely garden
Our sorrows we did relate.

A bottle of poison I brought her
Of which she did not know
Which made me murder my darling
All under the banks below.

Rosey O’Connell she loved me
As dear as she loved her life
It was my whole intention
To make her my loving wife.

When it was the devil’s temptation
That soon entangled me
Which made my murder my darling
All under the ivy tree.

My mother she reared me tenderly
For seven long years and more
But seldom she ever thought of
That the gallows would be my store

My father often told me
That money would set me free
But now I am found in this country
And its hung I’ll surely be

I live in a castle of comfort
A little beyond the fair
Grief it is my comfort
And sorrow is my care.

My bolsted feathers are dingling
The whole length of day
I have but the cold floor to walk on
To pass the time away.

My father stood at the hall-door
With a watery eye
Looking at his only dear son
Hanging on the gallows so high

I leave it written on my tombstone
To read as they pass it by
That my name is James Mullrooney
That murdered Rosey O’Connell.

Since this version of the song was collected in 1929, it isn’t exactly safe to say that it is the precursor to the Appalachian version of Rose Conolly, especially since there are documented versions of the song here in America that are dated before 1929. Added to this is the flow of folks songs at the time from America to Ireland, as was the case of “The Boston Burglar”, “The Last Fierce Charge” and “Twenty One Years”. This reverse osmosis of folksongs from American to Ireland is largely attributed one of two things, either to Irish immigrants returning home from America after finding that the streets here weren’t paved with gold; or with former soldiers of the Civil War who went to Ireland to lead the Fenian Rebellion. So we are left with the question, did the ballad come from Ireland to America, or did the ballad originate in America and make its way back to Ireland?

In fact, the earliest documented report of Rose Conolly in the United States was found in the oil fields of Wetzel County, West Virginia, in 1895. American folklorists subsequently found the same song with little variation in Virginia, North Carolina, Kentucky and even as far west as Wisconsin. The Wisconsin link is attributed to lumber men who left Kentucky to work the timber camps in the Great Lakes region.

Interestingly, if you read the original lyrics to Rose Conolly that were gathered in Wetzel County, WV, you can get another clue as to where the song began. There is the line:

“I had a bottle of burgaloo wine,
My love she could not know,
That I would murder my darlin’
Down on the banks below”.


Later versions of the song called it “burgundy wine”, or “burglar’s wine” but the earliest mention is “burgaloo wine”. What is burgaloo wine? It is a type of pear wine that was commonly made in central Virginia in the late 1700’s into the early 1800’s. If you follow migration patterns of people of that day, many families came from central Virginia, into the Shenandoah Valley of Virginia and then into north-central West Virginia. This was typically within one or two generations. There were earlier migrations as well, for example, the Whetzel family for which Wetzel County, WV was named, was in the area by the middle of the 18th century, and they hailed from the Lost River Valley in what is now Hardy County ,WV (Lost River valley is adjacent to the Shenandoah Valley of Virginia). So this would place some aspect of the origins of the song in central Virginia between 1760-1830, but probably leaning toward the earlier portion of that timeframe. As time went on, many people could no longer relate to “burgaloo wine” so they renamed it something they could relate to, and today most versions use the term “burgundy wine”.

The ballad “Rose Conolly” was first recorded in Virginia is October 1928, it was recorded again in North Carolina in August 1937, but perhaps the most famous recording of the song was by Charlie Monroe in March of 1947, and he changed the title to “Down in the Willow Garden”.

My wife Shirley recorded “Rose Conelly” in July 2008, and I’ll include a Youtube video of her version of the song. Shirley said her Daddy taught her this song, and he got the song from his Granddaddy who said he had heard the song for years and years, so that would put the song in southern West Virginia during the late 1800’s.

Click here to hear Shirley sing “Rose Conelly”.

I will also post the “new” lyrics to the version of “Rose Conelly” that Shirley recorded, and you can compare them to the version collected in Galway, Ireland in 1929. Certainly, the two songs are akin, but who knows which is the parent and which is the child. Here are the lyrics Shirley uses:

Rose Conelly”, traditional, with variations by Shirley Stewart Burns.

Down in the Willow Garden
My love and I did meet
And there we went a-courtin’
My love fell fast asleep

I had a bottle of burgaloo wine
My love she could not know
That I would murder my darlin’
Down on the banks below

I drew a saber through her
It was a dreadful knife
I threw her in the river
Which was a bloody sight

My father had often told me
That money would set me free
If I would murder that dear little girl
who carried my baby

Now he sits at his cabin door
Wiping his tear-brimmed eyes
For his only son is hangin’
Upon the scaffold high

My race is run beneath the sun
Hells gates lay open for me
For I did murder that dear little girl
Whose name is Rose Conelly.

Copyright, Shirley Stewart Burns 2008.


Click here to hear Shirley sing "Rose Conelly"
------

So perhaps Rose Conolly does hail from Ireland, but just as likely she hails from somewhere in Appalachia. As do the people here, our music comes from just as many points of origin. One thing is for sure, she is uniquely Appalachian now.

Wednesday, March 25, 2009

The Ballad of Fisherman's Holler

For today's post, I thought I'd share with you a song from my wife Shirley's upcoming a capella CD titled "Been to the Mountaintop". The song is titled, "The Ballad of Fisherman's Holler", and Shirley said when she wrote it, the song was given to her while she was sleeping. It woke her up and needed to be written. She had everything but the ending of the ballad when she started, and she tried to change the outcome of the song, but as she puts it, "the song had other plans".

Shirley and I both wonder if this is a true story that we just haven't heard about. The names and events are pretty specific. Anyone know?

Here are the lyrics to the ballad, you will have to click here to go to Youtube to hear Shirley sing it.

The Ballad of Fisherman’s Hollow

Verse I
I had but one love, Charming Luther.
I loved him like no other man.
He held me close and swore he loved me
and we’d be married come the Spring.

He became my one obsession.
His honeyed words they doused my ears.
His warm embrace, his sweet caresses
could not ebb my lingering fears.

I followed him one night after he left me.
I followed him to the riverbed
for I had seen him with pretty Jane Price
who I thought was my dear friend

Chorus
I’m going down to Fisherman’s Hollow.
I’m going to see my next of kin.
For the place where I am going, I never shall see them again.

Verse 2
From his pocket, he withdrew a box
and from the box a wedding band.
As she held it in her fingers,
I shot them both ‘til they were dead.

I approached the lifeless bodies,
jerked the ring from her lovely limb.
I looked down and saw the paper
clutched tightly in her other hand.

I stood over the bodies trembling
Could not believe my mortal sin.
for it was my ring she was admiring.
It was my surprise of which they spoke

Chorus

Verse 3
I pushed the bodies into the river
With rocks tied to their feet and hands.
In two wee hours, it would be sunlight
I bid farewell to life as it had been


I only pray that God will forgive me
for two lives are gone at my hand.
I’m too frightened to face a jury.
I am a coward to take the stand.

So I’ll steal away and they’ll not find me.
I’ll go away to some distant shore.
Where I will linger in my misery
until I die to knock on Hell’s vast door.

Chorus

© 2000 Shirley Louise Stewart

Click here to hear Shirley sing this song.

Friday, February 27, 2009

Little Omie Wise

For the past few years, I have been constantly singing the old Appalachian murder ballad, "Little Omie Wise". I sing it in the car, I sing it in the shower, I sing it while walking through Wal-Mart (hey, I get some interesting looks), and so on and so forth. Over the years, I had read little snippets of the story surrounding the real life Omie, but not until a recent suggestion by Granny Sue did I do a little research on this really interesting song. I've always said, "You ain't lived 'til you've heard my version of Little Omie Wise." I remember I did this last summer when my brother was staying the weekend with us. We were on our way to visit Granny Sue and while driving up the interstate, I broke into a boisterous version of "Little Omie Wise". Captive though my audience was, I do believe if there were one more verse of the song that they would have tucked and rolled right there on I-77! I suppose that is a pretty good indication that instead of singing Rock-n-Roll music, I sing Tuck-n-Roll music.

Though you can't hear me sing it on here, you can read the lyrics that I sing. As with all true folksongs, you will find different versions of the song. Here are the lyrics that I use:

I'll tell you the story of Little Omie Wise
How she became deluded by John Lewis' lies,
He told her to meet him down by Adam's Spring
Some money he would bring her and other fine things.

And fool like she met him down by Adam's Spring
But no money he brought her nor other fine things.

John Lewis, John Lewis, please tell me your mind,
Do you intend to marry me or leave me behind?
Little Omie, Little Omie, I'll tell you my mind,
I intend to drown you and leave you behind.

Please pity our baby and spare me my life,
I'll go home a beggar and won't be your wife.
Little Omie, Little Omie, that never can be
You're passioned invitations been trouble to me.

He hugged her, he kissed her, he turned her around,
He shoved her in the river where he knew she would drown.
He jumped on his pony and away he did ride,
And the screams of Little Omie fell down by his side.

It was on last Wednesday mornin',
The rain was a-pourin' down,
The people searched for Omie,
But she could not be found.

Two boys went a-fishin' on a fine summers day,
The body of Little Omie went a-floatin' away.
They threw their net around her and they drug her to the shore.
The body of Little Omie was searched for no more.

They sent for John Lewis, John Lewis came by,
When confronted with her body, he broke down and cried.

You can shoot me, you can hang me for I am the man,
That murdered Little Omie in yonder ole mill dam.

My name is John Lewis, my name I'll ne'er deny,
I drownded Little Omie, and I'll never reach the sky.

=========

Little is known about the real Omie Wise, but records indicate that she was an orphan girl who was taken in by William Adams and his wife Mary Adams in Randolph County, North Carolina. It was at the Adams' farmhouse that Jonathan Lewis, son of Richard Lewis, met Naomi. Naomi and Jonathan Lewis quickly became lovers, but Jonathan was advised by his mother to pursue Hettie Elliott, whose family was "in good standing" both socially and financially. Naomi found out about Jonathan's courtship to Ms. Elliott, and although jilted, it did not stop their affair.

The day itself can not be determined, but it is said that it was sometime in April 1808 that Naomi came up missing. Mr. Adams gathered a search party and followed the horse tracks to Asheboro, North Carolina, where they found Naomi Wise's body in the river. Mrs. Ann Davis, a resident close to the water, confirmed that she had heard a woman screaming the night before. The coroner from Asheboro examined the drowned and battered body of Naomi and confirmed that she had been pregnant.

Jonathan Lewis was found and taken to jail, where he escaped a month later. As the notoriety of the case grew, many members of the Lewis family began to move out of North Carolina and into the wilds of Kentucky. It was there that Jonathan Lewis was said to have started a family six years after Naomi's death. When word of Jonathan Lewis' whereabouts reached the outraged people of Randolph County, NC, the citizens demanded he be apprehended. The authorities acquiesced to the public outcry in North Carolina, and Jonathan Lewis once again found himself in jail. His trial was moved from Randolph County to Guilford County in 1815 because an impartial juror could not be found. In Guilford County, Jonathan Lewis was found not guilty, despite numerous witnesses and ample evidence, and was free to return to Kentucky. Most people said he bought his way out of the whole affair. Five years later, in 1820, Jonathan Lewis was said to have died of an illness, but confessed to the murder of Naomi Wise on his deathbed.

Isn't it neat that events that happened in the backwoods of Appalachia 200 years ago, are still being remembered. Do any of you have some old Appalachian murder ballads that you sing on occassion? Do you know the history behind these songs?

Here is a version of "Omie Wise" by Doc Watson. It is on Youtube. This version is slightly different than the one I sing, but the cadence is fairly close.

http://www.youtube.com/watch?v=Bm0Q_0n2JkU